The Jordan Obsidian 1: A Compressor for the Modern Music Producer

As a music producer specializing in dance and hip-hop, I've always been drawn to compressors that can deliver professional-grade results without getting in the way of my creative process. The Jordan Obsidian 1 has caught my attention with its promise of improved low-end response and versatility, but is it worth considering alongside other popular options like the API 2500?

I recently read a review by someone who owns both the Obsidian 1 and the Dual V, which claimed that the latter has more low-end weight and is better suited for bass-heavy music. This got me thinking - could the Obsidian 1 be limited in its ability to deliver the same level of low-end punch as other compressors on the market?

However, I've also heard countless amazing reviews about the Obsidian 1's improved G-series compression algorithm, which has left me feeling confident in my decision to try it out. In fact, I've been using the API 2500 plug-in on my drum buss with great results, and was initially considering pairing the Obsidian 1 with it for mix-buss duties.

That is until I stumbled upon the Vandergraph compressor, which has thrown everything off balance. I'm now torn between using one of these units on my drum buss and another on my mix buss - or perhaps opting for the API 2500 instead.

As a songwriter and producer, I tend to appreciate compressors that are easy to use and don't interrupt my workflow. The Obsidian 1 certainly fits the bill in this regard, with its clean and intuitive design making it simple to dial in the right settings.

But what about the threshold? I have to admit that I wasn't particularly fond of it - instead, I found that it worked best as a tone-shaper when used on my mix buss. Perhaps this is because I'm accustomed to mixing ITB and then adding compression near the end of the process, rather than using it from the beginning.

In any case, the Obsidian 1 is definitely one of the easiest compressors I've ever used - alongside the Foote Control P3S and Dramastic Audio Obsidian, which also earn high marks in this regard. Of course, as with any compressor, there will always be people who respond positively because they own it - but for me, it's all about delivering the best possible sound without sacrificing my creative vision.

Ultimately, whether or not the Jordan Obsidian 1 is right for you will depend on your specific needs and preferences as a music producer. If you're looking for a compressor that can deliver professional-grade results with ease, and don't mind experimenting with its threshold settings to get the desired tone - then the Obsidian 1 might just be the perfect choice for you.

Jordan obsidian 1